Out of some five films made annually in Nepal Bhasha (Newari), almost none get a mainstream theatre release with an exception of a negligible one or two which are luckily produced by the theatre owners themselves. In such a limited industry, with a dwindling proportion of the language’s patrons, making a Nepal Bhasha movie is nothing less than a fanatic’s challenge and a market risk. However, Manish Kumar Shrestha’s comeback vehicle after a hiatus, Tuyumati is a clutter-breaker if not path-breaking cinema. Moreover, as it comes from a soul-searching artist after decades of tumultuous diaspora life, Manish deserves brownie points.
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